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A picture of the posters on the University Walkway.
UMKC Students Received University Pushback at Pro-Palestine Protest
Aurora Wilson and Maisy BlantonApril 29, 2024

  Over 150 students showed up to participate in a protest in solidarity with Palestine and other protests across the nation on Monday.   Around...

Amidst the festive spirit of St. Patricks Day, the iconic symbol of luck, the clover, reminds us of the rich traditions and celebrations honoring Irish heritage.
Exploring St. Patrick's Day Alternatives in Kansas City
Aydan Stigler and Grace BeshoreMarch 14, 2024

  The annual St. Patrick's Day celebration is just around the corner, and with celebration comes large crowds.    The annual city parade...

Visit the City Market to explore local vendors.
Smart Saving Strategies for a Wallet-Friendly Spring Break
Emily Wheeler, Staff Writer • March 14, 2024

  UMKC students are ready for the upcoming week-long spring break, but are their wallets?   From travel adventures to staycations, spring...

Earth Mother by Sheron Smith
Her Art/Their Art Explores the Female Experience in the 21st Century
Elyse Bredfeldt, Staff Writer • March 12, 2024

  Her Art/Their Art is a collection that aims to answer the question: “What does it mean to identify, live, navigate, or be perceived by society...

Nina Simone: Four Women” playbook.
The KC Rep’s “Nina Simone: Four Women” is both timeless and poignant.
Maisy Blanton, Staff Writer • March 5, 2024

  The Kansas City Repertory Theater (KCRep) recently performed “Nina Simone: Four Women.” The show follows musician Nina Simone as she...

Kid Cudi’s “INSANO” Pushes Boundaries, But Falls Short in Execution

Exploring new themes and collaborations, Kid Cudi’s latest album showcases experimentation but lacks consistency in quality.
The+album+was+released+Jan.+12%2C+2024.
Aydan Stigler
The album was released Jan. 12, 2024.

 Kid Cudi’s new album “INSANO” explores concepts the rapper has yet to experiment with before, making the album one to remember. 

   Cudi’s ninth studio album features big names like Travis Scott, Pharell Williams and ASAP Rocky. It plays homage to late rapper XXXTentacion by including him on the track, “X & Cud,” a cover of XXXTentacion’s,Orlando.”

  As a Kid Cudi fan, I can say that this album was produced exceptionally well and it included some great songs. However, it also included tracks that were carried by the production and weighed down the strength of the album.

  Early singles released by Cudi like, “Ill What I Bleed,” or “Porsche Topless, presented a flavorful pop-type beat and catchy vocals that I thought would translate directly onto the project. However, the jumpy, movement-inducing beats on the singles were the only thing that made it on the album.

  On track 11, “At The Party,” the electric beats and vibrations are great but don’t propel the song’s quality enough. The track brings up the usual themes of being on top of the world and not caring about other people’s opinions to the point where it is repetitive.

  Kid Cudi is in an era of self appreciation, something the rapper has struggled with in years prior. With recent success from projects Cudi was in like,Don’t Look Up,or the movie he wrote with Netflix, “Entergalactic,” I get why he is at an emotional high on this album.

  A highlight of the album for me is track six, Electrowavebaby.” Cudi talks about submitting himself to a woman on this song, which is another recurring theme of the album. Cudi delivers these vocals for this song so blissfully and carefree, this time in a better way. The beat also feels tropical and flowy, and I really enjoyed it.

  Kid Cudi is in a completely different head space now compared to before and while I didn’t enjoy the album’s vocals all that much, I do appreciate his experimentation.

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