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Banner and KC skyline at Boulevardia.
Boulevardia 2024: Kansas City's ultimate urban music fest rocks Crown Center
Catie Walker, Staff Writer • June 20, 2024

Kansas City partied last weekend on Grand Boulevard at Crown Center for Boulevardia 2024, KC’s largest urban street music festival. The...

Taking place from June 7-9, the event featured performers, businesses and other organizations.
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Catie Walker and Evelyn BergerJune 11, 2024

  Kansas City celebrated the LGBTQ+ community at the 47th annual PrideFest and parade this weekend at Theis Park.    “Pride gives the...

Courtesy of Rosanne Wickman
Remembering G. Fred Wickman: Journalist, Professor and Mentor
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On April 27, 2024, former Kansas City Star columnist, UMKC professor and U-News (now called Roo News) advisor G. Fred Wickman passed away after...

Kansas City has a chance to advance to the Summit League Championship for the first time since 2011.
Roos Softball Advances to Championship Semifinal
Zach Gunter, Sports Editor • May 10, 2024

  Kansas City has thrilled viewers in the first three games of the Summit League Softball Championship.   Entering as the third seed,...

A picture of the posters on the University Walkway.
UMKC Students Received University Pushback at Pro-Palestine Protest
Aurora Wilson and Maisy BlantonApril 29, 2024

  Over 150 students showed up to participate in a protest in solidarity with Palestine and other protests across the nation on Monday.   Around...

Album Review: Tame Impala’s ‘The Slow Rush’

Album Review: Tame Impala’s ‘The Slow Rush’

Tame Impala’s newest album, ‘The Slow Rush,’ engulfs you in layers of funky, technicolor sounds and dares you to listen without tapping a foot. This album joins different eras of music together in a unique way that may not be too noticeable at first, but keeps you wanting to hear more.

Kevin Parker, the mastermind behind Tame Impala, is a perfectionist and took his time on this album until he felt it was exactly what he wanted. This is the first album Parker worked on without his previous band members. 

Five years have passed since Tame Impala released an album, and the wait was worth it. Working with artists like Travis Scott on this album inspired Parker to get out of his own comfort zone and immerse himself in an idea that comes to mind instead of wasting time doubting anything. For this album, Parker did things that made him uncomfortable for the sole purpose of sparking creativity because he feels the most creative when he’s in uncomfortable situations. 

“The Slow Rush” is an expansion of the soothing psychedelia of the previous album, “Currents.” Synthesizers and gentle voicings travel with you through each song, allowing you to peek into Parker’s brain. 

Songs like “Borderline” radiate high energy with its keyboard rhythms and disco feel. Influences from ELO and Hall & Oates bring together songs “One More Hour” with its space-poppy sound and “It Might Be Time” with a lively bounce. 

With the song “One More Year,” Parker brings us to where time and reality are warped. “We’re on a roller coaster stuck on its loop-de-loop ‘cause what we did, one day, on a whim has slowly become all we do,” Parker wails. He’s lamenting about his past, thinking about the future, and seizing the present all as one. 

Each song is hearing a story being told and emotions to be recognized. In “Posthumous Forgiveness,” Parker revisits his past with his father and their relationship, saying, “You decided to take all your sorrys to the grave.” As the song sails into the tranquil, more reflective second part, Parker releases any anger he held. “Wanna tell you ‘bout the time, wanna tell you ‘bout my life, wanna play you all my songs, and hear your voice sing along,” as he mourns what life would be like if his father was here. 

The track “Lost in Yesterday” portrays Parker’s self-awareness of reliving the memories in the past. In the song, he asks, “Does it help to get lost in yesterday?” as he answers his own question with groovy bass and upbeat sounds to inspire his audience to keep on dancing, free of the past. Parker shares his realization of how reliving the past is more helpful to growth if you choose to accept it, rather than block it out. 

“The Slow Rush” is an anthem of moving forward, just as much as it is mourning the past. 

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